GCL report round 4

A thrilling tie between Traralgon District and Bairnsdale highlighted Round 4 of GCL action, with the result throwing a spanner into the works as far as the league ladder is concerned, as there is now a log-jam of teams vying for a place in the Final situated between spots two and four. With no blow outs or one-sided affairs so far in the season, players and administrators will no doubt be pleased of the quality of cricket that has been produced and will look forward to Country Week with plenty of confidence.

The above-mentioned contest saw both Traralgon and Bairnsdale unable to be separated when ten wickets fell, each locked on 132 runs. Batting first, Traralgon got off to a shaky start, before consolidating as they often do down the order, to push toward a competitive total. Chris Lehner with 26 and Brett Chapman with 30 were the best performers. Darcy Murray tore through the Traralgon batting card, finishing with figures of 4/35. He received good support from Stephan Grobler, Jack Lind and Nathan Pollard, who all took multiple wickets.

At the tea break few could have anticipated what was about to transpire, and in a remarkable situation the Bairnsdale fall of wickets read eerily similar to the Traralgon one. Ryan Hadford with 28 and Reegan Kyle with 25 were the main contributors with the willow, whilst it was the spin of Traralgon that proved effective, with Ross Whelpdale and Lee Stockdale taking five between them. Luke Henderson was also able to claim two scalps as the match was taken to the penultimate over where the final wicket pairing of Ricky Tatnell and Reegan Kyle required three to win. With Tatnell’s eyes lighting up at an Owen Kelly delivery, victory was within one shot. However, Chris Lehner’s quick hands were up to the challenge, and he was able to effect a match saving stumping to tie one of the great GCL games.

In the other match between Warragul and Sale-Maffra, a number of players from both teams were given a chance to impress before Country Week as many front liners were absent due to Gippsland Pride commitments. Sale-Maffra batted first after being sent in and closed at 9/204. Best performers were Nathan Massey with an unbeaten 73, Anthony Scott with 44 and Stuart Anderson with 30. For Warragul, their best bowlers were Tom Keily 3/17, Nick Fairbank 2/27 and Rhys Holdsworth, who’s flighters claimed 2/34. In response, not even the presence of Grant Duncan on the team sheet could get the Wilddogs across the line, as they finished at a decent 161. Top scorers were Holdsworth with 43 and Jack Paull who scored 35. For Sale-Maffra Jack Tatterson was the destroyer, decimating the Warragul line up to take 5/29.

Hello local sporting world!

Welcome to PattmanSport.

Over the coming months we’ll be bringing you as much local sporting content as we can.

We currently have three YouTube channels – PattmanSport Live, PattmanSport Cricket, and PattmanSport Football.

You can follow PattmanSport on Twitter, and on Facebook.

Changes to PattmanSport

PattmanSport has a new channel

Hi all

As you may have seen, I’m rearranging the set up for PattmanSport. The original channel has been rebranded as PattmanSport Uni. A second channel has been set up taking over the PattmanSport branding. 

The new channel will feature more longer form programming. This includes studio based shows, extended highlights, and news programmes. 

Are Public Service Broadcasters still relevant?

Public Service broadcasters (PSB) are relevant and useful in today’s society as they provide access to services that may be unaccounted for by commercial free to air broadcasters. The Australian Broadcasting Corporation’s (ABC) charter gives it this mandate. Other PSBs around the world serve a similar mandate.

Public Service Broadcasters are also not beholden to the need to make a profit, only to what is outlined in the relevant legislation and charter. The ABC’s charter provides that the broadcaster must present programming that informs, educates, and entertains the audience.(Australian Broadcasting Corporation Act 1983 [Cwlth]) It must also make reasonable effort to provide Australia with a representation of the cultural diversity of it’s community at large. Where the ABC falls down in this regard – the provision of multilingual news bulletins and entertainment, and indigenous programming – the Special Broadcasting Service (SBS) picks up through its SBSOne and Viceland channels, and National Indigenous Television (NITV) respectively. Other than it’s English language shows SBSOne provides programming in languages such as Greek, German, Arabic, Italian and Spanish amongst others. National Indigenous Television, meanwhile, provides theirs in a variety of indigenous languages as well as English. The ABC and the SBS have both faced criticism, rightly or wrongly, for audience away from the commercial networks. Bardoel and Lowe (2007) write that the “culture versus commerce divide is the most characteristic tension in debate about [Public Service Broadcasters], and especially in the context of deliberations about the transition to [Public Service Media].” It can be argued that without the ABC creating and implementing it’s iView service the commercial networks may have taken longer to create and implement their own Catch Up TV services. In this way the ABC can be said to have innovated Catch Up TV in Australia. Section 2 of the ABC’s charter specifies that the Corporation shall consider amongst other things, the services provided by other broadcaster, the standards set by the Australian Communication and Media Authority, and the balance of programming with wide appeal and more specialised programming.

Public Broadcasters have historical acted in incubatory and innovative roles. Scannell (1990) notes that the creation of the British Broadcasting Company (BBC), and it’s radio and television channels provided common access to a wide range of public ceremonies and events. He uses royal weddings, and an FA Cup soccer final amongst other examples of such events broadcast. Commercial broadcasters have since broadcast such events. At a local level both commercial, and community broadcasters in Australia have provided an outlet for equivalent events in their respective areas. (TV8 1986; Channel 31 2015) Before the aggregation of regional television, each licence area outside of the capital cities had one commercial television station, and the ABC. The presence of the ABC – at least from the 1974 Joint Sitting of the federal parliament onwards – provided the regular citizens with access to their national parliament. East (1997) notes that when the Post Master General Charles Davidson announced in 1959 stage three of televisions roll out in Australia it was concluded that the ABC would broadcast alongside commercial stations that met certain conditions. He quotes Oswin (1984 p50) as saying, “A great deal of capital would not be require. Local sports and … local concerts could be televised” And indeed they were. (TV8 1986) It can be argued that both the ABC and the SBS have provided an innovative approach to broadcasting by introducing a variety of television channels, radio stations that are broadcast both locally and nationally. Debrett (2009) contends that these innovations are limited by policy and funding constraints. While the SBS receives limited advertising revenue, the ABC relies more heavily on taxpayer funding. In 2003, suck funding limitations lead to the cancellation of the ABC’s first digital channels – FlyTV, and Kidz. Subsequent legislative change allowed the ABC to launch ABC2 – initially performing a time shift function – and the SBS to launch it’s World News channel. While channels like National Geographic have taken some of the audience traditionally held by Public Service Broadcasters, these channels are only available on (commercial) Pay TV. The SBS currently has amongst it’s streams a food channel. For this channel it produces some programmes produced by Australian producers as well as licensing content from overseas. These more specialised, innovative uses of broadcasting techniques demonstrate why Public Service Broadcasters are still relevant and remain competitive.

Public Service Broadcasters can rely on it’s network of stations to provide sufficient content for each individual hub. Commercial stations are not necessarily as lucky. Where a commercial station is run independently of a metropolitan station it is in a position where the metro station has the upper hand. (East 1997) In the early 1960’s, New South Wales stations WIN Wollongong and NBN Newcastle were both denied access to content from the two Sydney stations – ATN7, and TCN9. Most regional stations currently in existent are owned by a network, whether that be Prime, Win, Southern Cross, or NBN. (ACMA 2014) These networks all have affiliation agreements with the metropolitan networks Seven, Nine or Ten. Where there is a news story about a regional area opening a transport hub that would connect it to major centres or a capital city, a Public Service Broadcaster may well be in a better position to communicate the story back to a central hub for wider broadcast. Unless they are owned and operated by the metropolitan networks – Seven Nine, and Ten – or have it written into there affiliation agreements, regional commercial broadcasters do not contribute content back into a common pot. For example, Seven Queensland is an owned and operated network of the Seven Network. A cameraman in Brisbane can shoot footage that is then used in a local news bulletins down the Queensland coast as well as state bulletins in each state.. The Australian Broadcasting Corporation could film the same event for stories broadcast in each capital city and into regional areas around the country.

Public Service Broadcasters are still relevant in today’s society as they still provide the content that is mandated by their charters. To make a point otherwise would be to ignore these charters.

References

‘2015 Division 1 EDFL Grand Final Live – Essendon Doutta Stars Vs Craigieburn’, Local Footy Show 2015, television program, Channel 31, Melbourne, September

1986 Latrobe Valley Football League Grand Final, 1986, television program, TV8, Moe, September

Australian Communication and Media Authority 201, Commercial TV Broadcasting Licences, ACMA, Canbera

Booth, R 2005, The economic development of the Australian Football League, Monash University, Melbourne.

Debrett, M 2009, ‘Riding the wave: public service television in the multi-platform era’, Media, Culture & Society, vol. 31, pp. 807-27.

East, N 1998, ‘Aggregation and Regional Television’, master thesis, University of Wollongong – Graduate School of Journalism, Wollongong, viewed 2016-04-07.

Scannell, P 1990, ‘Public Service Broadcasting: The History of the Concept’, in Goodwin, A & Whannel G (ed.), Understanding television, Routledge, London; New York, pp. 11-29

 

Bibliography

‘Casey v North Ballarat’, Grandstand VFL 2009, television program, Australian Broadcastion Corporation, Melbourne

Comer, JC & Wikle, TA 2015, ‘Access to locally-oriented television broadcasting in a digital era’, Applied Geography, vol. 60, pp. 280-7.

Lange, KM 2002, ‘Sport and New Media: a profile of Internet sport journalists in Australia’, Victoria University, Melbourne, viewed 2016-04-07 08:25:16, via Google Scholar.

Network Ten in voluntary administration, what of the regional affiliations?

Hi all

As you may have seen reported in the news Network Ten has gone into voluntary administration. The Network has a $200 million loan that will no longer be garenteed by two of it’s share holders.

What does this mean for it’s regional affiliates?

There are reports that Ten plans to operate as normally as possible. If this occurs, not much will change for the affiliates – Win and TDT Tasmania. If not, Win will have to find another source of programming. TDT is also affiliated with Seven so it may ditch the Ten affiliation altogether.

Could we see more local sport on TV?

Win currently broadcasts a local news bulletins into each of it’s coverage areas. It also produces a national news bulletin with stories from the local bulletins.

As you can imagine I’m in two minds on this. It’s clearly a bad thing as people may lose their jobs. But it also put’s me in a position where I may be supplying content to Win. If I had it my way, the employees of Ten would keep their jobs and I would be supplying programming to Win.

If you’ve read the last paragraph and gone ‘what the?’ I produce sports coverage over on the PattmanSport Youtube channel. This includes the above video.

Ten says it’s well on it’s way to raising the money through reduced broadcast licence fees and cheaper content deals. It may survive this, it may not.

Ashes accreditation and #WeWantDerbyTickets

Hi all

I’m firing this blog back up. As many of you may have seen I’ve been working on the YouTube channel PattmanSport. The channel has taken up most of my non-University time so I’ve not had much time to spend working on this blog.

https://youtu.be/lIEXrnykt9k&w=300&align=left

That being said… I’ll be posting more stuff here as well as over on PattmanSport. First post off the rank – after this post of course – will be an essay on whether Public Broadcasters are still relevant. After that will be match coverage of the Sunshine Coast Reserve grade match between Maroochydore and Nambour. Such sports coverage as you can imagine will be in conjunction with video uploads over at PattmanSport.

In the coming month or so I will be applying for accreditation to the national and internation level in Brisbane. Thus accreditation will include the Ashes test at the Gabba, Big Bash League and Womens Big Bash League games among others.

I’m giving away two double passes to the Roller Derby game between the Coastal Aassassins Roller Derby Assassins and the South Side Roller Girls Killer Bees. Comment on any PattmanSport video to go in the running for one of those.

More content is coming. Be it match reports, interviews, essays, or other content; it’s coming.

The Coast knows how to do a sporting event

Hi all

The Sunshine Coast is known for it’s beaches, national parks and Australia Zoo. There is also the triathlons in Noosa and Mooloolaba.

Just under this layer is a whole host of other events that the wider audience may not know about.

I’m talking of course about the various sporting Grand Finals. The Sunshine Coast Rugby Union’s SGQ Cup Grand Final drew an estimated 800 spectators at the University of the Sunshine Coast ground. The choice to hold the game out “in the suburbs” as opposed at Sunshine Coast Stadium provided a more intimate atmosphere.

This atmosphere is something that only a local country ground can provide. At some grounds, spectators can drive right up to the boundary fence and watch the contest from this vantage point. At most grounds, one can park within 100 metres of the ground.

The Caloundra Cricket Club even has a park bench or two so a spectator can have a feed while watching the game. Clubs will also have a canteen on site with some also having a bar.

If driving isn’t your thing, public transport is available to the vast majority of grounds. The stops are always within walking distance of each venue. Hotels and other accommodation providers tend to have transport information on hand so finding your way around shouldn’t be too hard.

If you are traveling with children, most venues will have an area that they can run around in if they get restless. While these will vary in size, they should be sufficient to keep them happy.

Anyone wanting to experience sport with a country feel but without the feeling of being too far from anywhere will enjoy the Sunshine Coast.

The football codes run their seasons from April to September while the cricketers play from October to March. Roller Derby fans are encouraged to contact the local association to check their schedule.

Could they broadcast more local content?

Could commercial broadcasters show local programming? If so, in what form? Would it be purely online, purely on the television or radio, or a mix of both?

https://www.youtube.com/watch?v=EQohgDLOFU8?w=300

Channel 31 Melbourne recently broadcast the Essendon and District Football League Premier and First Division Grand Finals. These grand finals are rare examples local premiership deciders being broadcast on television, through any form of broadcaster, since the mid 1990s.

Channel 31 subsequently uploaded the complete coverage of both games to their YouTube channel.

According to academics there is still a market for local content both in newspaper and recorded media form. Local news, localisations of reality shows are cited as examples of exemplifying this.

Just over half of those surveyed online would like to see more of programming produced in there local area. A further 34% said maybe. In the same survey, about 38% of respondents streamed live programmes online.

Metropolitan television stations broadcast at least the top tear of the major sporting codes in Australia. In Melbourne, Adelaide and Perth Channel Seven broadcast there respective second tier Australian rules competition. In Sydney Seven broadcast the Shute Shield, New South Wales’ highest level rugby union competition.

Channel Nine in Brisbane broadcasts the Queensland Cup rugby league competition as a lead in to the network wide National Rugby League telecast.

Linear television has it’s place “for the moment” within the new media environment according to Media Studies lecturer Joanna McIntyre. “There are demographics who engage with TV how TV used to be. And also Things like sports events are big on free to air TV…  they’ll get seven million viewers one particular show.”

https://www.youtube.com/watch?v=quGOpYz5HjE?w=300

Australian television productions are propped up by a local production quota, which applies to free to air networks, set by the Australian Communications and Media Authority. The quota, which is set to 55% of all programming between six in the morning to midnight, is split into three sub quotas – adult drama, documentary and children.

According to survey data, audiences stream less content online than they watch on the television. This may be attributable to the content format of the platforms. To fulfill these sub genres, broadcasters have to broadcast 20 hours of documentaries, 25 hours of children’s drama and 860 “points” of adult drama. The adult drama score is worked out as format factor x duration (in hours).

The internet has changed the way we consume programming that has traditionally been the realm of linear over the air television and radio. It has also changed the way it is produced. A half hour television programme lasts about twenty two minutes once the ad breaks are taken out. An hour programme lasts 44-45 minutes.

This is standard industry practice.

The internet doesn’t need these deliverables. Shows can last from about four to five minutes for a comedy show up to a proper half hour for a review show. Live sport and discussion forums are streamed for upwards of an hour.  However, the online sporting broadcasts are still lower than the televised equivalents.

According to Australian Bureau of Statistics data, there are approximately 2500 businesses providing film and video production and post-production services. Some of these have produced live and recorded coverage of lesser known events specifically for an online environment.

Local content will always have it’s place according to Dr McIntyre. “Even in a globalised world even formats such as reality TV shows that appear across the world in all sorts of different countries, they work very consciously and effectively to localise the content… so that in it self speaks to the fact that people still want local content, that you cant just have generic or just American content, that there will always be a need for localised content, that people will always be interested in localised content and they wont put up with just external globalised content.”

https://www.youtube.com/watch?v=6gguwuIiDYk?w=300

In a 2005 presentation, Mark Pesce identified that audiences were moving away from watching television programming on an actual television. They were, he said, moving to more phone/tablet space.

“From viewers you can get everything else,” Pesce said. “The fundamental reason to create a television broadcast is to have people watch it… So, how do you extract money from the viewers? You don’t. Again, you extract money from the advertisers, that’s what they’re for.”

“We’ve spent 50 years learning how great television is, learning how great a well told story can be. We won’t, if we have the technological means, let things stand in the way of that pleasure.”

Smart phones and tablets have allowed the consumer to access content more readily than they would with a PC or laptop. This includes news.

“There have been many studies that have suggested that local or community news is have a resurgence in the online era,” said Journalism lecturer Renee Barnes. “Hyper local news ventures in the US have been hugely successful in servicing local community informational needs.”

The same may be said here in Australia.

“We have seen a number of big international online players, like The Guardian, Buzz Feed and The Daily Mail enter the Australian market suggesting that the Australian online media market is still growing,”

This changing environment does not change the fundamentals of journalism according to Dr Barnes.

“We still teach journalists of the future what news is and how to communicate it for the audience, regardless of the platform on which that audience is accessing that news. Incorporated with the fundamentals of journalism we also reflect the many changes happening in industry in the classroom and help students navigate this new and uncertain media environment.”

About forty percent of survey respondents streamed content live at least occasionally. This number doubles when pre recorded content is taken into account with the home computer being the most common device used.

This data suggests that the physical presence of the television is still a factor in how people consume media content. A desktop computer or laptop can be hooked up to a modern television using only an HDMI cable. It is also possible to put downloaded content on a USB stick and plug that into the television.

So could commercial broadcasters show local programming? Sure. In what form? A purely online would not be unreasonable. However, there is still a sizeable audience for the traditional television services.